• What play did you choose? What act, scene and line numbers did you choose? What character did you play?
    • I read a soliloquy by Iago in the tragedy Othello, Act 3 Scene 3 lines 268-278.
  • What did you learn about the impact of tone, inflection, volume and pacing in your own rehearsal and oral performance?
    • I learned that Iago can be either convincing or simply a buffoon depending on how he is read — sometimes, his lines are accusatory and effective, in other recordings he sounded like a simple-minded gossiper.
  • What did you understand about the character’s traits and emotions as you were performing?
    • The fascinating thing, in my opinion, about Iago, is that really nothing he says is a lie — all allegations and trickery meant to fan Othello’s doubting imagination. He did allege Desdemona’s unfaithfulness yet, ironically, his disclaimer creates more tension for Othello.

Enjoy listening!

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Youth Voices is an open publishing and social networking platform for youth. The site is organized by teachers with support from the National Writing Project. Opinions expressed by writers are their own.  See more About Youth VoicesTerms of ServicePrivacy Policy.All work on Youth Voices is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License


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